THE CONDITION OF MUSIC: WAGNERISM AND PRINTMAKING IN FRANCE AND BRITAIN

THE CONDITION OF MUSIC: WAGNERISM AND PRINTMAKING IN FRANCE AND BRITAIN

Source :

• Art History [ 0141-6790 ] ; 2009-06.

English descriptors

• Entity :
  • geog : Island School, Rhine.
  • org : Art Institute of Chicago, Art Institute of Chicago, Series, Courtauld Institute of Art, France and Belgium, France and Britain, Gerald Cantor Center for Visual Arts, Princeton University, Stanford University.
  • pers : A. G. Lehmann, Adolf Rosenberg, Adolphe Jullien, Albert Besnard, Albert Edward, Albert Museum, Alfred Robaut, Aloys Senefelder, Andre Mellerio, Andre Raffalovich, Andrew Wilton, Andries, Ann Dzamba, Anne Leonard, Arsene Alexandre, Arthur H. Lawrence, Arthur Schopenhauer, Arthur Symons, Aubrey Beardsley, Auguste Comte, Beardsley, Brian Reade, Brigid Brophy, British, Caroline Arscott, Chan, Charles Baudelaire, Charles Lamoureux, Charles Morice, Charles Ricketts, Charles Swinburne, Chris Snodgrass, Claude Phillips, Constantine Alexander, Cosima Wagner, Dario Gamboni, David Peters, Douglas Druick, Dudley Gallery, Edelgard, Edward Burne-Jones, Edward Dannreuther, Elke Walford, Emilia Pattison, Emma Sutton, English, Erik Gould, Ernest Raynaud, Even Fantin, Francais, Friedrich Nietzsche, G. Le Dantec, Gamboni, Georges Rochegrosse, Gerald D. Turbow, Germain Hediard, Gruetzner Robins, Gustave Flaubert, Gustave Geffroy, Harry Quilter, Henry Maas, Hippolyte Taine, J. L. Duncan, Jacques Borel, Jacques-Emile Blanche, James Kearns, Jan Toorop, Jean-Antoine Watteau, Jean-Baptiste Pater, Jean-Jacques Nattiez, John House, Joris-Karl Huysmans, Jules Destree, Jules-Etienne Pasdeloup, Juliette Adam, Katharina Klafsky, La Chimere, La Damoiselle, La Femme, La Gimblette, La Justice, La Melee, La Walk, Lady Dilke, Leonard Smithers, Linda Gertner, London News, Louis N. Parker, Louis Parker, Love Drink, M. Degas, M. Fantin, M. Fantin-Latour, M. G. Moreau, M. H. Spielmann, M. Redon, Marsha Morton, Martha Ward, Martine Kahane, MaryAnne Stevens, Maurice Fabre, Michael Levey, Michael Marlais, Michael Tymkiw, Michel Hoog, Michele Barbe, Milly Heyd, Morice, Mortimer Menpes, Nicole, Odilon Redon, Otto Scholderer, P. T. Forsyth, Paul Barolsky, Paul Verlaine, Peter Andraschke, Redon, Rhinegold, Ricardo de Egusquiza, Richard Hobbs, Richard Wagner, Robert Ross, Robert Upstone, Robin Holloway, Roseline Bacou, Salon, Simeon Solomon, Stephen Bann, Stewart Chamberlain, Stewart Spencer, Sutton, Suzy Levy, Teodor de Wyzewa, Thomas Malory, Valerie Bajou, Victor Chan, Victorian, W. G. Good, Wagnerian, Wallace Collection, Walter Kaufmann, Walter Pater, William Rothenstein, William Weber, Zatlin.
  • place : Bayreuth, Berkeley, Britain, CA, Cambridge, Chicago, Dubourg, England, France, Germany, Houston, IL, LONDON, London, Los Angeles, MA, Palo Alto, Paris, Rennes, Rome, Saint Antoine, Toulouse, UK, York.
• Teeft :
  • Alberich, Albert museum, Andries bonger, Androgynous profile, Angeles county museum, Arthur symons, Aubrey, Aubrey beardsley, Beardsley, Brian reade, Brief career, British critic, British museum, British wagnerian, British wagnerism, Brunnhilde, Burnham library, Caliban, Charles morice, Chris snodgrass, Concert populaires, Conventional method, Court painter, Druick, Dudley gallery, Eighteenth century, English translation, Fantin, First attempt, Fourth tableau, French artist, French blake, French rococo, French wagnerism, Further discussion, Gerald cantor center, German culture, Gustave geffroy, Harvard college, Henri venusberg, Hoog, Human form, Imaginative subject, Imaging department, Isolde, John house, Leonard smithers, Linda gertner zatlin, Line block, Lithograph, Lithography, Love drink, Master printer, Mellerio, Michel hoog, Musical harmony, Musical subject, Musique, Nineteenth century, Number prefixed, Odilon, Odilon redon, Oeuvre, Opening scene, Original emphasis, Parsifal, Pater, Paul verlaine, Political significance, Press cutting, Reade, Redon, Revue, Rheingold, Rhin, Rhinegold, Rhinegold drawing, Richard hobbs, Richard wagner, Ring cycle, Robert ross, Rococo, Rococo revival, Romantic novel, Royal academy, Salon, Scofield thayer, Sexual indeterminacy, Stanford university, Subject matter, Sutton, Symbolist, Symbolist aesthetic, Symbolist landscape, Symons, Tableau, Thin transfer paper, Third tableau, Total work, Transfer lithograph, Transfer lithography, Tristan, Unfinished retelling, University park, Venusberg, Victorian sexual politics, Visual art, Wagnerian, Wagnerian artist, Wagnerian image, Wagnerian lithograph, Wagnerian painting, Wagnerian picture, Wagnerian print, Wagnerian subject, Wagnerian theme, Wagnerism, Walter pater, Watery leitmotif, Watteau, White paper, Wood engraving, Wyzewa, Young woman.

Abstract

• https://api.istex.fr/ark:/67375/WNG-5WTJ6N1L-M/fulltext.pdf

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